talks – Federico Federici

Federico Federici at Ehemaliges Stummfilmkino Delphi, Berlin

"Dunkelwort" @ STADTSPRACHEN EXPRESSIONALE, Ehemaliges Stummfilmkino Delphi, Berlin. Where to order the book:
http://www.amazon.it/Dunkelwort-altre-poesie-Federico-Federici/dp/1326223372/ref=sr_1_1?ie=UTF8&qid=1434347989&sr=8-1&keywords=dunkelwort
http://www.amazon.de/Dunkelwort-altre-poesie-Federico-Federici/dp/1326223372/ref=sr_1_1?ie=UTF8&qid=1434348223&sr=8-1&keywords=dunkelwort

videos screened after the reading:
https://vimeo.com/83216528
https://vimeo.com/120227632

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Homepage:
http://federicofederici.net

Federico Federici at Ehemaliges Stummfilmkino Delphi, Berlin

"Dunkelwort" @ STADTSPRACHEN EXPRESSIONALE, Ehemaliges Stummfilmkino ...

Lettere d'amore a Peter Rabbit - Federico Federici, Paolo Giovannetti, Antonio Syxty

"Lettere d’amore a Peter Rabbit", nella serie "Manufatti poetici" a ...

Poetic Vision Berlin - Federico Federici

Poems Meet Visual Art, Science, and Film, Janée Baugher, Kanika ...

Poesiefestival Berlin "Werte Vers Kunst" – MROGN

"Mrogn" (Federico Federici, Zona 2017, Premio Elio Pagliarani) ...

Collana Premio Pagliarani

Stanza della Poesia, 21 febbraio 2019, Genova. Letture da "Mrogn", ...

My experience with asemic writing

Artist talk on the occasion of the Asemic Exhibition curated by ...

Premio Lorenzo Montano 2017

Ranieri Teti su "Diario di alcune ore della notte" di Federico ...

Premio Lorenzo Montano 2017

"Diario di alcune ore della notte", di Federico Federici Francesco ...

Dunkelwort - Anteprima sul colle del Melogno

Dunkelwort, Berlin 2019 (Ger), ISBN 978-1704898629. Presentata allo ...

Premio L'Aquila - BPER 2022 - Profilo Minore (Nino Aragno 2021)

"Profilo minore", a cura di Andrea Cortellessa, Nino Aragno Editore, ...

Objects under investigation (report - reperti) - Artist's talk at Kunsttempel

„THIS IS IT“, Sprachkunst von Arnold Dreyblatt, Federico Federici, ...

„THIS IS IT“, Sprachkunst von Arnold Dreyblatt, Federico Federici, Nauka Kirschner; Dr. Friedrich W. Block curator, Kunsttempel, Kassel, 19/10-19/11/2023.
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[4] [...] A medium is an intrinsic characteristic of ...the phenomenon under investigation (namely: of the artistic practice), whose essence is revealed by the incompleteness (or even by the failure) of its translation. From a linguistic point of view, a medium partakes as an idiom of a particular art practice, as the trait that cannot thoroughly be translated into /transferred to another practice.
A medium sets itself as a middle term – in an updated etymological sense – between ‘reality’ (whatever one may define by this) and ‘reification’ or, narrowing the scope, between what an art piece is aimed at (‘objectivity’) and what it ultimately consists of (‘objectification’).
It is a ‘tension’ in both that objectivity and objectification tend to overlapping (while hardly or partially actually doing) and in the sense of the tensor which defines the metric of the space (mathematical, artistic and so forth) under investigation.
It is a method (a set of rules or procedures) to work out the cross-breeding of different practices, like the folding of surfaces in abstract geometry. [...]
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[7] [...] This said, quantum mechanics opens up an inspirational way to discuss and develop the word-sign dualism, but before diving into it, a couple of rather acceptable ideas:
1) a word is a lump of signification as much as a particle is a lump of matter
2) when you observe a sign conventionally identified as a word, you immediately access its signification
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[9] [...] The unsupervised superposition of many signs determines a sort of interference pattern of sense. A single sign, like a single electron, “knows”, if not disturbed by signification, how to take part in an arrangement that preserves high textual quality, while being essentially abstract in expression. The ‘writer’ (let’s keep using this term for the artist dealing with a ‘textual’ medium) triggers the underlying relational structure for the ‘reader’ (to use another conventional term) to complete or detect further elements of writing. It is a kind of disjunctive writing, since they both separately partake in defining the textual experience. [...]
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Downloads and further resources freely accessible here:
https://federicofederici.net/category/webinar/
http://leserpent.wordpress.com
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"Workbook of the universe" installation uploaded here:
https://www.researchcatalogue.net/view/2199743/2199660[+] Mostra di più