Appearances – FEDERICO FEDERICI

2026 ·
“An Evening of Disruptive and Provocative Poetry”, Three Rooms Press (New York) curator, 13/09, Cabaret Voltaire, Zürich
Sheet XXXIV – On a Page of Manifold and Calculation in “Narrazioni algoritmiche”, SENSEABLE – Simposio sulle arti elettroniche, Paola Bommarito curator, NTA – Nuove Tecnologie dell’Arte, Accademia di Belle Arti, 4-5/09, Villa Genoese Zerbi, Reggio Calabria
“International Protocol of Distributed Activation”, conceived and coordinated by Maurizio Di Feo, Academy of Fine Arts, Bari, August
Alice Oswald and Federico Federici read from Oswald’s “Dart”, Poetry Foundation

2025 ·
Unmastered Bones, (reactivating the score), Angelo D’Amato curator, Civico 23 Art Space, Salerno, 08/11-22/11, catalogue | read
“From Dry to Wet Conceptualism in Cognitive Capitalism – SFSIA”, Centre des Récollets and Master in Arts & Vision of Université Paris 1 Panthéon-Sorbonne in Paris, 01-06/09
“Calligrafia e scrittura d’artista”, Maria Antonietta Malleo curator, Palazzo Fernandez, Palermo, 10-30/07
“Scrittura asemica: il segno prima del senso e senza padroni”, Giuseppe Calandriello, Felice Accame, Sandro Ricaldone curators, Centro Studi per l’Analisi del Linguaggio, Genova, 26/04-25/05

2024 ·
Translanguaging in asemic writing: a metric space approach [DOI: 10.13140/RG.2.2.26832.11526], “LangueFlow’s Multea Roundtable”, organized by Johanna Domokos (Bielefeld University and Károli Gáspár University Budapest), Marianna Deganutti (Slovak Academy of Sciences), Jana-Katharina Mende (Martin Luther University Halle-Wittenberg), Sabira Ståhlberg (Independent Scholar & Polyglot Writer), 29/04
TM halt ( ); Echoes From The Exhausted Well, “Utsanga 2014-2024: toward liminal spaces”, Silvio De Gracia, Ana Montenegro, Francesco Aprile curators, Hotel DaDA, Buenos Aires, 18/10-20/12
Noise; OP.4 Per Pianoforte e Tramontana, “Asemic writing: la scrittura acefala, lo scrivere, il flusso”, Salvatore Luperto curator, ARTPOETRY Gallery, Lecce, 06/04-06/05
Che cos’è la scrittura asemica?, La Finestra, hosted and curated by Antonio Syxty, 12/02

2023 ·
In vivo z-stacking and 3D-reconstruction of textual patterns (within an unbound book of poetry), “II Jornada Internacional de Poesia Visual: do Corpo do Signo ao Cyber Céu”, Julio Mendonça moderator, Brasilia, 27/11
“THIS IS IT“, Sprachkunst von Arnold Dreyblatt, Federico Federici, Nauka Kirschner; Friedrich W. Block curator, Kunsttempel, Kassel, 19/10-19/11; documents: Research Catalogue; videos: Language to [Dis]Cover the Page; Objects Under Investigation; download: Artist's Talk at Kunsttempel
“Pata Asemica“, collective exhibition within the event “Alingue e Apostrofi, Festival degli universi supplementari e dei nuovi (A)linguaggi”, Duccio Scheggi, Marco Garophalo, Giuseppe Calandriello curators, Stecca 3, Milano, 8-10/09
Typewritten at “Paper View“, Sara De Oliveira curator, Leiria 1-31/04

2022 ·
Workbook of the universe (how to split the universe up into addends), in “Living in the box“, CIVICO 23 Art Space, Salerno, 10-23/12
Profilo minore: L’Aquila-BPER Prize, Auditorium del Parco, L’Aquila, 19/11
“Omaggio alla Poesía Ucraina”, Dmytro Chystiak, Christophe Chomant, Laura Garavaglia, Federico Federici, Stefano Donno, in cooperation with Taras Shevchenko National University of Kyiv and National Writers’ Union of Ukraine, 05/04

2021 ·
“asemic writing & suoni che cambiano“, Marco Giovenale, Fabrizio Venerandi invited speakers, Horti 14, Roma, 19/12
“Poesiefestival-Berlin: Da Liegt Europa”, organised by Haus für Poesie, Istituto Italiano di Cultura, Berlin, 07/09
“GMuMaPS – EV.EX”, Feliciano De Mira curator, Evora, 22/08-26/09
Chronotope in “Mail Art Project”, Tuli & Savu curator, City Library Foyer (Vapaudenkatu 39–41), Jyväskylä, 24/08–11/09
Appunti dal passo del lupo, “Bologna in Lettere“, Bologna, 07/05
“Poems Meet Visual Art, Science, and Film”, Janée Baugher, Kanika Agrawal, Jess Mc Kinney, Federico Federici, hosted and curated by Jake Schneider, «SAND» Editor in Chief, Berlin, 25/04
“Lange Nacht der Lyrik – Jahrbuch Der Lyrik 2021”, hosted and curated by Christoph Buchwald, Carolin Callies, Florian Kind, Frankfurt am Main, 23/04

2020 ·
Chronotope in “Mail Art Project”, Tuli & Savu curator, Runokuu Poetry Festival, Helsinki, 01-31/08
“Scritture Asemiche – Libri d’Artista dalla Collezione dell’Accademia di Belle Arti di Palermo”, Francesco Aprile curator, Palazzo Fernandez, Palermo, 05/12-15/01

2019 ·
“GMuMaPS”, Feliciano De Mira curator, Evora, 20/06-30/09
“Scrivere Liberi-Scritture sperimentali e di ricerca dagli anni Sessanta ad oggi”, Giuseppe Garrera, Sebastiano Triulzi curators, MU.SP.A.C, L’Aquila, 14/12/2018-11/01

2018 ·
Keep me as a pet, “City of Santa Fe Telepoem Project”, Elizabeth Hellstern curator
L’esorcismo contrario, Asemic Plot n.1, “Approaching Videopoetry: Origins, Constraints, Categories–Evaluating Videopoetry: Selection, Modification, Juxtaposition” by Tom Konyves, IULM, Milan, 6-7/06
Mrogn (Ger-It), Alter Krieg (Eng-It), “Poesiefestival-Berlin: Werte Vers Kunst”, organized by Haus für Poesie, ORi, Berlin, 26/05
Brief aus Treblinka, “res.o.nant” by Mischa Kuball, Jewish Museum, Berlin, 2018-2019
“Concreta-Mostrapoesia”, Giuseppe Garrera, Sebastiano Triulzi curators, Hungarian Academy, Rome, 21/04-06/05
“Forme e Transforme-Dalla poesia visiva all’asemic writing”, Adriano Accattino, Cristiano Caggiula, Francesco Aprile curators, 24/03-10/06, Ivrea

2017 ·
The Way I discovered the Berlin Wall has fallen, “Silent Art Auction”, Jan-Philipp Fruehsorge curator, The Drawing Hub, Berlin, 15-17/12
Guernica, Time in four movements, “Allegorical Ghosts”, Wave Collective curator, London Fields Taproom, London, 12/12
“Asemic Tech“, Michael Jacobson curator, Punt Multimèdia, Barcelona, 28/02-25/03
Finds of Silence, “Stille”, Group Global 3000, Berlin, 13/01-10/03
Asemic plot #1, “Utsanga. Asemic writing exhibition/Map of the asemic horizon”, Francesco Aprile, Cristiano Caggiula, Elisa Carella curators, Parco Archeologico Scolacium, Roccelletta di Borgia, 02/12/2016-02/05/2017

2016 ·
Dunkelwort, “Stadtsprachen Expressional“, Martin Jankowski curator, Ehemaliges Stummfilmkino Delphi, Berlin, 06/11
“Intuición Estética“, Michael Jacobson curator, Casa Baltazar, Cordoba, 17/02-06/03

2015 ·
Die Beiden Seiten, “plattform:[no budget] #12 unabhängiges Medienfestival”, Leibnizhaus, Tübingen, 19/06-21/06

2013 ·
The love song of A. N. Chamberlain, “plattform:[no budget] #11 unabhängiges Medienfestival”, Leibnizhaus, Tübingen, 31/05-02/06

2011 ·
“Action Poetry”, Peccolo Gallery, Livorno, 21/06-25/06

2010 ·
Die Liebe bleibt, “plattform:[no budget] #8 unabhängiges Medienfestival”, Kino Studio, Tübingen, 21/05-05/06
“Il reale nell’immateriale”, Circolo Bertold Brecht, Milan, 15/10-15/11

2009 ·
“PoesiaPresente Festival”, Ника, Teatro Binario 7, Monza, 23/05

2008 ·
“Las formas del verbo”, No mok in bed, MAC, Caracas, 05/10-01/11

PODCAST

audio recordings of conversations, talks, and readings, both public and informal, around writing and related theoretical and artistic practices

WRITING, FORM, THEORY: TALKS

a set of recorded situations in which the work is discussed rather than presented: interviews, talks, and conversations; recurring terms include writing as structure, asemic inscription, translation, and the use of scientific and formal models as compositional frameworks

un esperimento con l'intelligenza artificiale

In questo episodio presento la descrizione di un esperimento di scrittura a più voci, nato da una riflessione sulle leggi della fisica, a partire da un'immagine cara a Feynman: l’universo ...come una partita a scacchi.
Ho scritto un testo su questo tema, poi ho chiesto a un’intelligenza artificiale di scriverne uno suo, senza leggere il mio, fornendole solo le coordinate essenziali tramite un prompt dettagliato. Infine, le ho chiesto di comporre un terzo testo che mettesse in dialogo i due.
Non si tratta di una gara, ma di un confronto: uno spazio in cui linguaggi e logiche diverse provano a intersecarsi.
I risultati di questo lavoro saranno pubblicati nel prossimo numero di "White Noise", in uscita nell’autunno 2025. Intanto, qui trovate un’anteprima audio e video del progetto.

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