FEDERICO FEDERICI

2026 ·
Cumulative Compositions, «Word For/Word», Jonathan Minton editor, November
Reactivating the Score, «Herri», Aryan Kaganof editor, issue 13
Selected poems, visual works and archival materials featured on Lyrikline, edited by Haus für Poesie, Berlin
(on a) page of manifold and calculations, «Full House», Leia Butler editor
Five pages from Swarm Memory, «Diode», Patty Paine editor, 19th anniversary issue, June
Five Pieces, «Repertori», Robert Rebotti editor, July 2
Static Typewriter Machine, «The Argyle Literary Magazine», David Estringel editor, March 15

2025 ·
Four Pieces, «Repertori», Robert Rebotti editor, November 26
Four Pieces, «GAMMM», Marco Giovenale editor, September 18
Voices From Demagnetised Tapes, «prototype», Jess Chandler editor, n.7
From World to Wor[]d: On Linguistics, Visual Art, and Asemic Writing with Italian Artist Federico Federici, «Asymptote Journal» pdf , Junyi Zhou, Lee Yew Leong editors, April
film of 45 lines per second, «İbid.Şiir», Fuat Eren, Erkan Karakiraz editors, n.7
Four Visual Pieces, «Bat City Review», Austin’s English Department, Sarah Matthes editor, n.21
Constant weights about the signs, «The Headlight Review», Kennesaw State University, Kurt Milberger editor, volume 3 n.1
Featured artist with (other) notions, «Isele Magazine», Tracy Haught editor, February
Cartoline dal silenzio, «CIVICO 23», n.7

2024 ·
[Q]uantum [D]ots, «Tokyo Poetry Journal», Zoria Petkoska K. editor, English Department – Daito Bunka University, volume 15: Visionary Poetry
A Zero-Point Writing?, «Private», September 16
Five Asemic Concrete Pieces, «Asemic Front 2», Sloan De Villo editor, September 12
Featured artist with A Zero-Point Writing? on «LandArch», London, September 11
Notions (about the object under investigation), «Sleepingfish» XX anniversary issue, Derek White, Garielle Lutz editors, ISBN 9781940853208.
Disappearing Music, «Reunion: The Dallas Review» volume 12, Kriss Kirk editor, Harry W. Bass Jr. School of Arts, Humanities, and Technology

2023 ·
Objects under investigation, «Nokturno.fi», [EN], [FI], Elina Sallinen editor, n.3
Stanzas of Meditation, showcased @ la vetrina, «minima | poesia», October 2023 – March 2024
Insects are poetic in themselves, Fossil-leaf script, «Superpresent», Duncan Forbes editor, volume 3, n.4, Fall
(four pieces), «ctrl + v», Hannah Rego, Ben Still, Frances Linehan editors, n.13, Summer
3 image-texts, «Diagram», Ander Monson editor, University of Arizona, n.23.3
Sorting out some threads, «Arteidolia», Randee Silv editor, n.19, June
Excerpts from Facsimile of The Waste Land, «L=Y=R=A», Jacob Ahana-Laba editor, issue 1, April

2022 ·
Smell of a desiccated thing, A word and a universe, «The Ignatian Literary Magazine», University of San Francisco, Fall issue
Workbook of the universe (how to split the universe up into addends), «CIVICO 23», n.3, 2022. Full project on «Research Catalogue».
Few nanoseconds before the text undergoes asemic fission (Atomkellermuseum Haigerloch, September 2022), «Cutbow Quarterly», Arden Hunter editor, issue 2
Dredging up old memories, How to recover a clustered poem, «minima | poesia», n.2
Someone is behind this construction, Sorting out some threads, Gedichtzu, Clavier à lumières, Void, featured artist on «The Indianapolis Review», Natalie Solmer editor, issue 22, Fall
A pool among the rock (voices from), Sometimes something to read, Echoes from the exhausted well, Das Leben, Das Sterben, «Dream Pop!», Isobel O’Hare, Carleen Tibbetts editors, August 9
(th)inking, dead data across transducers, carta nautica del naufragio, «Superpresent», David McClain editor, volume 2, issue 3, Summer
Lines from a dying star, Dunkelight, «Blood Orange Review», Bryan Fry editor, Washington State University
The wood as asemic device, «Asemica» n.1, Giuseppe Calandriello curator, with an essay by Cecilia Bello Minciacchi
Catalogue of sparse stars, «Penumbra», Hannah Neeley, Jarred White editors, California State University Stanislaus, Spring issue
Investigation (of empirical tendencies), «Jenny», Steven Caumo editor, Youngstown State University’s Student Literary Arts Association, Spring issue
Cantor’s Rose, «Permafrost Magazine», Daryl Farmer, Michael Kay, Alison Mille editors
Ten Olivetti Tables, «Zeta|Esse», Codici project, Zeta|Esse editorial staff
Miniature Tone, So the Midnight Bird Sings, Rhymes for a Prepared Poem, «Poemeleon», Cati Porter editor
Motherboards, «Barzakh Magazine», Christy O’Callaghan editor, issue 14

2021 ·
Black Old Suns, «Coffin Bell», volume 4, issue 4
Nights on the Highway, «Asemic Front 2», Sloan De Villo editor, September 29
Whispers in a summer meadow, Noise while searching for the word, «Phantom Kangaroo», Claudia Dawson editor, issue 25, October 13
Not to be found, «Whimsical: A Journal of Contemporary Art», Sara Altman editor, August/September
Updates for dead machines, «Sleepingfish», Derek White editor, July 13
Wind on a magnetic table, «No Tokens», T Kira Madden editor, issue 10
5 texts, «Diagram», Ander Monson editor, University of Arizona, n.21.2
Wie es sich /As it is, Next to the next person’s breathing, Staub, Thoughts without words never to heaven go, «Ós Pressan», Lára Kristín Sturludóttir editor, n.5
On the wave nature of time, BAU 17, limited edition curated by Vittore Baroni, Antonino Bove, Marco Maffei and Antonella Serafini, Viareggio
Selected pieces from Transcript from demagnetized tapes on «The New Post-literate», Michael Jacobson editor, March 16
Five FFT (Fast Found Textures), «Spam», Denise Bonetti editor, n.2

2020 ·
Mappe dalla città asemica, «Digressioni», Cinzia Agrizzi, Davide De Lucca, Christina Lee editors, n.16 – Mappe
breath_dada_death, in ABC – avantgarde-boot-camp, «Perspektive», Sylvia Egger editor
ISBN, «Maintenant», Three Room Press, Kat Georges, Peter Carlaftes editors, n.14
Asemic and concrete pieces, «The Shanghai Literary Review», Alexandre Gobin editor, n.6
How to recover a clustered poem, Oeil, «Freshwater Review», The College of St. Scholastica editors, n.23
Notes on four documents to find, «Welter», University of Baltimore, n.54
Chronotope, «Tuli & Savu», Postitaide issue, Juha-Pekka Kilpiö, Reetta Pekkanen, Riikka Simpura editors
Requiem, «Tiny Spoon», C. M. Chady, Stephanie Hempel editors, issue 4
Asemic/Concrete Vispos, «Stadtsprachen Magazin», Joey Bahlsen, Birger Hoyer, Martin Jankowski editors, n.13
Four Pieces, «A-Minor», January issue, Nicolette Wong, Eryk Wenziak, Ariel Berry editors, 2020.
Ding an sich, «Unknown Quantities», Ma Culture, Criticism and Curation, and MA Graphic Communication Design at Central Saint Martins, University of the Arts of London, n.7
Song of the blue bird, The kinetics of text, This text was intentionally left blank, «Metonym Journal», William Jessup University, n.10
Canto CXVII, «Asemic Front 2», Sloan De Villo editor, January 20
Three pieces, «Anthology of the mad ones», Weasel editor, n.8
Feuer, back cover of «Stonecoast Review», University of Southern Maine, Delaney S. Saul editor, n.12
Lautgedicht n.3, «Tule Review», Heather Judy art director
Terre Alte, «Digressioni», Cinzia Agrizzi, Davide De Lucca, Christina Lee editors, n.13 – Spiriti

2019 ·
Five paintings, «Superstition Review», Patricia Colleen Murphy editor, Arizona State University, issue 24
Asemic city underground map, To begin a poem with, «Riza», Ava Balis editor
7 asemic/concrete tables, «The Journal», Ohio State University, Morgan Fox editor, n.43.4
Sedimental cantos, «Utsanga», Francesco Aprile editor, n.21
Loops, «Gasher», Whitney Kerutis editor, Summer
S.F., Sound landscape on an early spring day, «Jelly Bucket», Bluegrass Writers Studio at Eastern Kentucky University, Leslie Scheuler, Regina Jakulis Szabo editors, n.9
Concrete trenches, «ToCall», Petra Schulze-Wollgast (psw) editor, n.5, 2019. buy
Notes on a found texture, Random access memory, «Stonecrop», Dave Nicholas editor, College of Westerm Idaho, Spring, n.2
Quantum Textfield 4, «Stoneboat», Signe Jorgenson, Lisa Vihos, Jim Giese, Rob Pockat editors, Spring
Asemic B-Sides, «Brave New Word», Bil Sabab editor, n.14.5
Four canvas and Four pieces for a Winter Concert, «Letters Journal», Emily Wing editor, Spring
Asemic Documents, «The Scriblerus», Greenville University, Spring issue
Dredging up old memories, «NationalPoetryMonth.ca», Amanda Earl editor, April 13
Asemic Writing, «Roanoke Review», Mary Crockett Hill editor, February 1
Three Pieces, «A-Minor», Nicolette Wong, Ariel Berry, Eryk Wenziak editors, n.17
Seven concrete/asemic tables, «Frequenze Poetiche», Giorgio Moio director, January 30
The bridge of the dead, oil on canvas, «The Stirling Spoon», Riley Baker, Hannah Han editors, issue 2
Studies on asemic interferences on (and within) concrete structures, «The Operating System», Kenning JP García editor, January 10
La petite promenade, Hollow Men, «Typehouse Literary Magazine», Val Gryphin, John Koch editors, volume 6 n.1, issue 16
Picking up the stems in the woods, «Unstamatic Magazine», January 5

2018 ·
Wolkenzug, Breadth digit, «Sand», Ruhi Amin editor, n.18
Asemic gouaches (and other tables), «Watershed Review», Sarah Pape editor, California State University, Fall issue
Zang Tomb Tomb – Filippo Tommaso Marinetti remixed, «Utsanga», Francesco Aprile editor, n.18
A winter concert, «The Raw Art Review», Fall
When the thermostat’s low by Emma Depanise and From outer freedom by Federico Federici, «Arkana», Cassie Hayes editor, n.5
Debris by Cindy Bradley and Studies on asemic interferences on (and within) concrete structures by Federico Federici, «Memoir Magazine», Mary McBeth editor, November 17
Il grado zero della scrittura asemica, «Zeta|Esse», Nodi project, Zeta|Esse editorial staff
Debugging, «Koan» Clara Davis, Victoria Johnson editors, n.1
3 diffractions (behind one text), «Luuwa», Francesco Aprile editor, n.3
Dismantled Documents, Penteract Press, Anthony Etherin, Clara Daneri editors
Micro Asemic Film 4, «Gone Lawn», Owen Kaelan, Beth Gordon editors, n.30
Textual pieces, «Out of Nowhere», Robin Tomens editor
Three visual texts, «Asemics Magazine», Cecil Touchon editor, August 1
Four Visuals, «Otoliths», Mark Young editor, n.50
Hinter dem Nebel, der Berg/ Hinter dem Gedanken, Gedachtes, «The New Post-Literate», Michael Jacobson editor, July 22
2 Asemic Works, «The New Post-Literate», Michael Jacobson editor, July 3, 2018.
Four Pieces, «Brave New Word», Bil Sabab editor, n.10 pt.2
Asemic Scattering, «Riggwelter», Amy Kinsman editor, n.10
22 shortest pieces, «Abstract Magazine», JL Jacobs editor, May 28
Concrete Pieces, «New Plains Review», English Department, University of Central Oklahoma, Spring
Dead Machine Board pt. 2-3-5, «Internet Void», Collection 1
Studies on asemic interferences on/within concrete structures, «Obra/Artifact», Stetson University’s Low-Residency MFA of the Americas, n.5
Asemic and concrete texts, «Meat for Tea»: Hemp, XII, n.1, Elizabeth MacDuffie editor
Caged Alphabet and Asemic Force Microscopy – In vivo text scanning, «Nokturno.fi», Virpi Vairinen editor, n.2
Five new asemic concrete compositions, «Asemic Front», Sloan De Villo editor, March 9
The first line of dark(ness), «The New Post-Literate», Michael Jacobson editor, February 28
Asemic-concrete text hybrids, «Asemic Front», Sloan De Villo editor, February 4
Der Plan der asemischen Stadt, «Otoliths», Mark Young editor, n.48
Disturbed X-scape, «Riggwelter», Amy Kinsman editor, n.6
Five Visuals, «AOM», Drew B. David editor, n.2
Beyond the Standard Model, «The Hunger», n.1

2017 ·
Da ist der Waldrand, «A5 Magazine», n.8
Wet poem, «Sheepshead Review», n.40
A letter to Jeanne Hébuterne, Three ladders far from the Moon, Motherland n.13, Motherland n.23, «Counterclock», n.1
Caged alphabets, «3:AM Magazine», The poem brut #13, SJ Fowler editor
Four Pieces, «A-Minor», n.2, Nicolette Wong, Eryk Wenziak, Ariel Berry editors
Berliner Variationen nach “Four Works”, «Utsanga», within the Utsanga remix rampage project edited by Volodymyr Bilyk, n.13
Obscured by Alphabets, «Otoliths», Mark Young editor, n.46
Asemic Force Microscope, «The New Post-Literate», Michael Jacobson editor, July 3
Five Works, «Asemic Front», Sloan De Villo editor, June 13
Six Asemic Scores, «Brave New Word», Bil Sabab editor, n.5
Obscured by Alphabets, «The New Post-Literate», Michael Jacobson editor, May 7

2016 ·
Three asemic drafts, «Zoomoozophone» n.8

2015 ·
Calligraph and Seismograph, «Utsanga», Francesco Aprile editor, n.5

2014 ·
Someone not me, «The Adinorack Review», XVI, n.4

2012 ·
vertebrae: 195, 237, 243, 254, «Broken Wine», n.1